Colson Whitehead May Be “America’s Storyteller,” but He’s Not About to Stop Experimenting
How Sexual Desire Transforms Women’s Lives
The First Excerpt From Volume 2 of Philip Pullman’s The Book of Dust
Neal Stephenson’s New Novel Is a Mind-Blowing Adventure in Which One Major Character Is a Mind
How Terrance Hayes Transforms the Staid Sonnet Into Something New
Can Thomas Harris Escape the Shadow of Hannibal Lecter?
An Empty, Edenic “Frontier” Was a Core Lie of American History. So Why Is David McCullough Still Peddling It?
The Mueller Report Is Part Spy Thriller, Part Game of Thrones—With Footnotes
Unpacking Sally Rooney’s 19th-Century Influences
Two Explorations of Parenthood Win Slate’s Cartoonist Studio Prize
Sally Rooney’s Normal People Excels at the Thing Novels Do Better Than Any Other Art Form
The First Section of Susan Choi’s Trust Exercise Had to Be Kind of Bad for the Novel to Be So Good
Is Therapy Only for People With “Real” Problems?
How Humor Makes a Poem Especially Alive
The New Javanka Book Epitomizes the Juicy, Nauseating Genre of White House Palace-Intrigue Reporting
The Bird King Offers a Rare, Thrilling Portrayal of Platonic Love Fiercer Than Its Erotic Counterparts
Kathryn Davis Is the Most Original Novelist in America
The Year’s Best Comics Are on the Cartoonist Studio Prize Nominations List
Helen Oyeyemi’s Dark, Rich Fairy Tale Is About an Island That Turns Its Back on the World. Sound Familiar?
Maria Popova’s Move From the Internet to Print Misses Its Connections